文伽是一位身着日本旧式邮政工作制服、手持不可思议手杖的无口少女，在她黑色的工作包中装满了贴着黑色邮票的信件。那并不是普通的信，而是已经过世了的人写给重要的人的信——死后文。少女与作为同伴的手杖“卡娜卡”一起往返于冥界与生界，传递跨越了生死的依恋。

Peter Landesman

Peter Landesman

All Yuan Zhinan has left behind when she passed away is a letter and an invitation to a school reunion. Attending the reunion in lieu of her late elder sister, Zhihua accidentally runs into Yin Chuan, on whom she had a crush in her youth. As old memories are evoked, and correspondences travel through different contexts and times, Zhihua slowly uncovers the intricate story of the trio.

Drama - Lola makes a video letter for a mysterious man named 'Henry.' Who he is, and why can't Lola let go? See the movie based on the anonymous apologies campaign. - Valerie Brandy, Travis Quentin Young, Annamarie Kenoyer

Catharine Wright struggles with a debilitating sleep disorder. Her husband Michael struggles to cope when their new born son lay in the wake.

Catharine Wright struggles with a debilitating sleep disorder. Her husband Michael struggles to cope when their new born son lay in the wake.

In 1994, Nelson Mandela was sworn in as South Africa’s first black president. With three unforgettable words, “Free at Last”, the oppressive Apartheid regime that held the country in its grip for 46 years, finally came to an end. 　　With Mandela taking office, there was hope. Hope for an end to the racial division, for the healing of deep wounds, for justice and equality. A Truth and Reconciliation Commission was set up under the leadership of Desmond Tutu, with the goal of unifying the nation. Amnesty for the perpetrators who were prepared to give testimony, recognition for the victims. The world was told that all the horrors of Apartheid would be forever consigned to the history books. South Africa was to become a rainbow nation; a country in harmony with itself. 　　But today, 30 years on, hope has given way to disappointment and frustration. The wounds of Apartheid are proving difficult to heal and remain visible in South Africa’s current political and socio-economic landscape. 　　The Truth Commission achieved temporary reconciliation, but it hasn’t been able to shed light on all of Apartheid’s dark secrets. Families of the many victims have been fighting for decades to not only get the truth out, but also bring those responsible to justice. So far, without much success. Around 25.000 people were killed in political violence between 1960 and 1994, but no politicians have been punished and only two state-employed killers have been jailed. 　　Free at Last is the epic re-telling of the story of Apartheid in South Africa, the TRC and its’ aftermath. What really happened, who was responsible and why haven’t they been held accountable? 　　Spanning years of research and featuring unprecedented access to archive and key figures the series unearths the truth about the Apartheid regime, examining its brutal legacy and ongoing impact on South Africa today. 　　Through the dramatic stories of both victims and perpetrators, it doesn’t shy away from confronting the complexities of justice, accountability and forgiveness and sheds light on what has remained hidden for so long. This series is a genuine attempt to unpack the collective trauma of a nation that has overcome extraordinary challenges but in order to move on, must now truly confront its troubled past.

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染谷将太が監督したショートフィルム「シミラーバットディファレント」は、全編 16mm フィルムで撮影された作品と なった。映像ディレクターの瀬田なつきと共同制作された脚本は、詩的で危ういトーン漂う仕上がりだ。 　　主演を務めるのは平野鈴。彼女の演技により「女」は、表情の機微が印象的な、ミステリアスな空気をまとった人物とし て息を吹き込まれた。また染谷演じる「男」の友人として、ラップグループ・THE OTOGIBANASHI'S の MC である bim が登場。迫力あるフロウで画面に華を添えている。 　　これら俳優陣の演技をバックアップする劇伴音楽は、作曲家・ピアニストの渡邊琢磨がプロデュース。これについて渡邊は「ささいな音が段々とざわめき立って映画の世界観に浸透していくような音楽を目指します」と話している。 　　とある女と男。車の中、部屋の中と、同じ時間と空間を共有するふたりは、ある朝にそれぞれの道へと歩いていく。お互 　　いに旧友と再会するも、もの憂げな表情を浮かべる女と、どこか心ここに在らずといった男。綾織りのように絡み合う人 　　間関係が、タバコの灯りに照らされながら描かれる。